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One Woman Who Made Her Travel Dreams Come True


7 Minute Read

During my teenage years, growing up Melbourne, Australia during the 1970s, travel was never far from my mind.

With a father who had experienced the romance of ship travel in the Orient and my mother who was immigrant from a Second World War London, wanderlust was in my heart just waiting to blossom.

It was to come many years later – following a fulfilling motherhood to two beautiful daughters and working out of necessity.

With my passion for tarot having its roots in medieval Europe, I had always thought that would draw me first.  But strangely enough, it was Asia, short holidays in Vietnam and India that ignited my yearning for more adventure. To do things differently in the footsteps of many of the ancient wise ones.

A chance meeting with a young Scottish couple travelling in Vietnam planted the seed of change in my heart. They were travelling for a year! So many questions flooded my mind on meeting them. How can you afford that? Where did you start? What a great idea! Imagine that, stepping onto a plane or ship or train and knowing you are not coming back for a whole year! A vision of Paddington Bear with only a tiny suitcase sprang to mind and I knew their dream had to be mine.

So at age 52,  after much shedding – cars, furniture, full-time jobs; my partner and I handed the keys of our tiny apartment to his son. We decided it was cheaper to travel for a year staying in hostels and homestays than to live in Melbourne.

Following the sun was the trick to only needing carry-on luggage. Starting in a Melbourne autumn, we set off for spring in Buenos Aires, Argentina. We were also determined to live like locals.

We adhered to only three rules; number one was to stay at least a month in each country to allow the culture to truly seep in. Rule number two was no purchasing of clothes unless one garment was given away to a recipient who needed it. If we bought a coat, we would then leave it for somebody who could use it.  Number three was we would only travel with what we could carry. In 2011, it was just 7kg of luggage.

That year saw us tango dancing in Argentina, climbing the Andes in Peru, discovering caves in Turkey and sailing the waters of Ulysiss. After a month overlooking the fiords of the tiny village Perast in Montenegro, we set off for our final six months. We travelled to the village of Rajbag in Southern India, where I studied reiki and reflexology.

Then, the universe brought us an amazing opportunity and without much hesitation, we accepted an offer to set up and run a small guest house in Vietnam. The connection from years earlier came via email.  Were we still interested in managing a guest house?  Yes yes yes!  Was the resounding reply.

Southern India turned into our planning time for our new venture. Each day as the sun rose, we walked the two kilometres to the beach, past bird wetlands and sari-clad beautiful women on their way to work. With our toes planted in the sand, our days were spent putting our dream onto paper. Drawing plans, writing menus, our vision included becoming a part of a fishing village where we could give back to their community.  Offering homely comfy accommodation with the opportunity for guests to be a part of a real village. Our Vietnamese vision sprang to life as we filled our tummies with curry and mango from the local Rajbag beach vendors.

We had never seen Bai Xep, Quy Nhon, the location for our new home. That first day, we wandered through the tiny village, little smiling faces peeped out around doorways, dogs barking, women mending fishing nets looked up at us shyly. My heart skipped beats and I knew this was going to be an amazing place to be!  For the next three years, our new home became the home-away-from-home for many weary travellers.

Tears, laughter, frustration, lack of language, determination, and much love came together to realise our guesthouse Haven. From our initial kernel, came the passions of many others who made us their family for a short time. Some of them have in turn gone on to run their own guest houses which employ local people and give back to their communities.

Our life in Bai Xep was not without its hardships. Most days presented unforeseen problems. The electricity was constantly being cut. We would wake to no power, which would sometimes take days to return. We cooked with gas or on small charcoal BBQs, but as the sun rises early and sets at 6pm we were often without lighting to cook by! We managed this by wearing miners’ torches strapped to our foreheads and having candlelit dinners. With twelve hungry guests, every night – not cooking was not an option!

Language was our biggest hurdle. Not only was there no English spoken in the village but many people could not read or write. Education that we take for granted is precious to these small villages.We had two large tanks for the water, which was piped from the mountain. The tanks regularly ran dry so we would take bike trips up to the water source. Usually to find our supply had been cut and taken to another business! We put the pipe in – which brought running water to our village; before that, they only had the well. Water was pumped and carried to their humble houses.

 

I had thought I would get around my lack of Vietnamese by writing in Vietnamese from translator apps. To get around this problem, we bought fruit and vegetable posters and had them up on our kitchen walls. Our kitchen looked like a kindergarten, but we got the job done. I could point at what we needed and slowly my Vietnamese vocabulary increased.

As the universe does, it brought us an unexpected twist. We learned sadly that the land we leased was to be sold. We could take the risk that the new owners would lease to us, or try to sell our business. We chose to put the business up for sale. Feeling strongly that if it was meant to be – another opportunity would arise.

Chance played her part again. An English guest told us the story of her parents who lived in rural France. Something just clicked for us and we started to think about the possibility of a different life in a rural Europe.

Just two months later – after a flying visit to family in the UK, we were sitting sipping wine in Montmorillon France.  We had been brought here for lunch having never heard of it. Dining on delicious crepes beside the river, we both felt the magic and knew this would be our next home.

So the wheel turned again, finally, in medieval Europe my passion for the tarot and history could bloom again.

Montmorillon, Cite De L’Ecrit, a town of books is our home now. Our rambling old 17th-century house on the river Gartempe will never be perfect. Its joy comes from living at one with the birds and the river. Our gites providing a comfy immersion in rural France, the world now comes to us!

Moving to France has created another first for me. The publishing of my first novel, Bonne Chance and Butterflies. A novel – it tells the story of woman’s courage as she makes a profound change in her life. Her incredible journey of self-discovery emerges in my magical town Montmorillon.

So, take a chance, move into the unknown, experience other cultures, listen to your heart.

When you open your heart to chance and change – the universe answers.

Rosie’s accommodation in Montmorillon can be accessed here – Riverside Studio and Charming Montmorillon Maison, both are self-catering accommodation.

And to her book Bonne Chance and Butterflies on Amazon.

The Culture Interview – Laura Benson, lead actress in the award-winning and challenging new film Touch Me Not.


9 Minute Read

Laura Benson is a British actress based in Paris – she was in Dangerous Liaisons – who plays a lead role in the controversial and challenging new film Touch Me Not (which also features Seani Love, a sex worker who appeared in the AofA Tantra Hot Tub Salon which was FB Live). Touch Me Not follows three characters, one of which is called Laura, a 50 something woman, who is in out of touch with her sexuality and takes some radical steps to address this situation. The film coasts a fluid line between reality and fiction. It won the Golden Bear earlier in the year in Berlin and is the London Film Festival on Oct 16 and 17th plus a special screening at the ICA on Oct 23rd.

How were you cast in Touch Me Not?

Through a casting agent, who works with the French co-producer. They were casting in several countries. I was asked to send something that I had shot recently. The film I had just done wasn’t out yet and I didn’t have anything recent in stock. So they sent me five pages about the subject of the film and I was asked to do an exercise: a video diary for my lover. I thought about it for a week and then did it and sent it, like a bottle in the ocean. The next week I was asked if I could go to Bucharest to meet the director. I obviously agreed. We had a four-hour meeting. I had understood what she wanted from this meeting.  It wasn’t going to be a chit-chat… she wanted to feel who was in front of her and what I was made of.  So my challenge was to go and not contain myself and be as free as possible.

What were your initial thoughts about playing this character, Laura who has difficulty with sex and intimacy?

What I had read gave little insight into her feelings and her struggle.  She seemed cold and terribly cut of from herself…  dead in a way.  I didn’t know how I was going to bring her to life.

Were you excited by the original script in that you were playing a woman in her 50s who is the main character in this revealing/naked about vulnerability way? It’s unusual to get this opportunity, isn’t it?

I would say that what is unusual is to have a lovely part to explore (which has nothing to do with the age) and to work with an inspiring director that you get on with and understand in a way as well as on a project you like. All those ingredients are not always present all at once!  I never actually considered that I had the main character and her vulnerability appeared during the process.  I didn’t know before we started working that this would emerge.  And yes yes, it was a lovely opportunity, which came out of the blue! I feel very lucky. I think that Laura could be 40, 45, 50, 55…

Obviously, it was a wonderful opportunity to have an interesting important part to play, considering that most important characters in film are under-45! A casting agent friend of mine told me that in France when they suggest actors over 50, the producers and TV say ‘no, menopaused’! But I do more theatre than film, and a female actor’s age doesn’t have the same significance on stage, because there aren’t close-ups — the body and how you move and your energy are more important than the reality of your age. I’ve seen some Comedia dell Arte where the character is 20 and the actor behind the mask 80. So to answer your question, I didn’t realize really how lucky I was.

What were you challenged by in the process as an actress where it sounds like you had to get in touch with your own vulnerabilities?

For me, the challenge wasn’t as much about being in touch with my vulnerabilities than it was about dealing with my fear of the unknown, my lack of confidence and my doubts.

And how did the improvisation go? Do you enjoy this way of working?

The script was just a starting point, like a trampoline that we could bounce off.  A kind of skeleton, if you like. It acted as a kind of safety net. There was very little dialogue.  A great deal of the material, the nature of the interaction, came from what was happening on set and how it was happening. Doing a scene when you have no idea where it is going to go, and more to the point – if it is going to go anywhere at all can be very uncomfortable. I would say that ‘exploring a situation’ rather than ‘acting a prewritten scène’ is a lovely way of working when you have a director that you can understand (and can understand you) and with whom you share the same vocabulary. There is a certain amount of preparation needed in that kind of approach. Adina has her way of working that takes you into a profound process, so you’re not lost and you are pretty charged. What was nice about the relationship on set, was that she was as worried and excited as us.  So we all worked together (technicians included because for the camera and sound people, it wasn’t easy either) to do the best we could. The work was about being in the present moment, being spontaneous and authentic.

What did you discover personally?

I discovered how little I knew! How much there is to experiment with!  I think the most surprising thing I discovered was when I was filming myself on a day off.  It was a way of staying involved in the process and not losing touch with the film.  It was something that spontaneously came to me when I woke up that morning. I put my body in the window frame (the window was very big) and I pushed and pushed against the structure. The architecture became my prison.  And since I had voluntarily put myself in that space – that I wasn’t a victim – my frustration and anger transformed into pleasure. Close to a sexual pleasure. It was very empowering.  When Seani Love talks about ‘conscious kink changing the world’, I understand how some sexual activities can release and transform very powerful negative energies. And that changed my outlook on BDSM.

What kind of dialogue about sex and intimacy was going on between you and the director, Adina Pintilie? This is also included in the film?

We spoke about many many things; I don’t remember it being focused on sex.  But the conversations, when we weren’t talking about work, were generally intimate I think they contributed to creating a particular dynamic based on trust.

Did it make a difference having a female director?

I have often worked with women.  Doing this film with a man would no doubt have been very different…  but how, I cannot exactly say.

Do you think it is valid not to explore why the character Laura has ended up with such difficulty in her sex and intimacy life? Anger with her father is intimated but not explored.

I think that Adina is more interested in looking at someone’s attempt and struggle to change than explaining where the problem comes from.  As far as I am concerned, we don’t need to know where Laura’s problem comes from – what is important is that she can move towards going beyond it.  A young couple at a film festival said that it was the only ‘positive’ and ‘uplifting’ film they had seen in the film festival.

What was your interaction with Seani Love like? He was in our AoA FB Live Hot Tub event on Tantra, we loved him. He’s playing himself in the film? A sex worker, who deals with intimacy issues.

Seani’s work is really interesting and I would say that the interaction we had is what you see in the film. We didn’t meet and talk before, my only interaction with him is when we were on set filming. I didn’t even see his face before he came into my sitting room!

Were there moments when you had to say ‘No’ to the director?

No.  Adina was very respectful of limits even though wanting everything!  She never – or rarely – asked for anything precise. So the limits were where you yourself put them. I asked her at the beginning of the film, when we were preparing the escort scenes : ‘Are you expecting me to sleep with them?’ She said: ‘you do what you want’.  Things were generally not decided before.  It was more organic than that.

The film’s reviews have been very mixed, I read the Guardian one by Peter Bradshaw and laughed. I wondered if this is because these reviewers have difficulty themselves with intimacy issues?

I think the reactions correspond to the anger someone can feel when they are going out to have fun and escape reality, then find out that someone is forcing them to have a therapy session and that they weren’t asked if they wanted, let alone warned that they were going to have one (whether they like it or not).

What kind of conversations has come out of it for you?

People have shared some lovely things.  One young man said that he spent his first night with his girlfriend just after they had both seen the film and that it totally changed his way of relating with her and changed both of their approaches to their intimacy. I am surprised because a lot of people have thanked me and given me hugs. I recently spoke to a woman who said she was happy to meet me because she had been worried about me during the film. I think it is a film that is a relief for a lot of people who have suffered feelings of inadequacy. In Kiev, a young woman had been thrown out of a café three weeks earlier because she suffered from cerebral palsy.  She was so pleased to see the film. It gave her courage and hope.

What did you enjoy about making this kind of film? And the responses?

I enjoyed the complicity with Adina, the challenge and adventure and am relieved that I managed to overcome any fears and doubts, or at least deal with them. I am pleased to have managed to be spontaneous. So I guess that I have grown up a bit!

AofA People: Stephanie Theobald – Writer


4 Minute Read

Stephanie Theobald, 52, is a writer and sex rebel. The Times once described her as ‘One of London’s most celebrated literary lesbians’ but that was before she started having a bi-sexual relationship with novelist, Jake Arnott. Interestingly, she says in her AoA Q & A that she seems to be at her most attractive right now to both men and women. Her latest non-fiction book Sex Drive – On The Road To A Pleasure Revolution is her fascinating road trip across the USA using self-pleasure to find her lost libido. BBC Arts described it as ‘Part Jack Kerouac, part Joan Didion’. It’s out on Oct 18th.

Age (in years)

52

Where do you live?

Between London and LA

What do you do?

I’m a writer: journalism, corporate – whatever pays the rent and allows me to do what I really want such as write a book about female masturbation.

Tell us what it’s like to be your age?

People joke about it but turning 50 does actually feel like walking through a ring of fire. But now I’m 52 I can honestly say that I’m confident about the second half of my life. Having seen a big love of my life die of breast cancer, I’m seeing this stretch of life as icing on the cake and what brilliant icing it is. I don’t care so much about what people think of me. I’m like, I’ll write a book about female masturbation because I don’t want to spend the next 50 years writing about the latest trendy restaurant in a swivel chair in a newspaper. It’s like that line from The Wild One: What are you rebelling against and Brando goes, “What have you got?”

Stephanie Theobald

What do you have now that you didn’t have at 25?

More confidence, better orgasms

What about sex?

See above. Weirdly, I seem to be more attractive to men and women at the age of 52. I’ve never had such a great lingerie collection. Cheap, “dirty whore” lingerie because that turns me on the most.

And relationships?

Just evolving from a 10 year relationship with a bisexual man. Still lots of deep love there but sexually, we both realised we needed to open it up. Mainly having booty calls with women right now.

How free do you feel?

Ludicrously free, but freedom’s not always an easy one. Joseph Campbell encouraged people to “follow your bliss” but then he later added that he should have said, “follow your blisters” because bliss can be a roller coaster ride too.

What are you proud of?

Having slept on sofas for the past 3 years and sacrificed the safe and prestigious road of having a proper swivel chair job in order to write a book about honest female sexuality that none of the mainstream publishing houses would touch but which has since been endorsed by the likes of Emma Thompson, Baroness Helena Kennedy and punk poet John Cooper Clarke

Advantages of Age | The Advantages of Age

What keeps you inspired?

Masturbation, hanging out with the under-30s, nature

When are you happiest?

When I’m hugging a tree or scudding along on my bicycle

And where does your creativity go?

Sometimes I dream of being a bricklayer. I look out of my flat window in London and I see the guy on the building site making a regular £200 a day creating a wall and I think, That’s the kind of creativity I’d like because creating a world on a piece of paper can be exhausting. But all ways of making money are a nightmare in the end. The best creativity is when you are not aware you are being ‘creative’ so it’s not a strain. Coming up with a masturbation fantasy is a good example of this. Sexual fantasies make Marquis de Sades and JK Rowlings of us all.

What’s your philosophy of living? Stay in the moment. 

And dying? A Mexican once told me that people in his culture “flirt with death” and I can see that. I think death pervades everything. In a good orgasm, there is always a taste of the infinite and ergo a taste of death. I think death and sex are definitely on the same spectrum. My experience of watching a beloved former love die before my eyes was the most terrible, most beautiful thing I have ever seen. The experience will live with me forever and ultimately it inspired me to write Sex Drive which is about loss as well as sex.

Are you still dreaming?

Always dreaming. My regular dreams revolve around Sex Drive being made into a movie. My masturbation dreams revolve around a spaceship and a woman with big breasts and a voice like Brigitte Bardot.

What was a recent outrageous action of yours?

Masturbating in front of 40 people during a “Fifty Shades of Kink” sex symposium in San Francisco.

Sex Drive is out on 18th October. You can purchase a copy here.

AofA People: Lucy O’Brien – Writer/Academic


7 Minute Read

What is your name?

Lucy O’Brien

Age

57

Where do you live?

Harlesden, NW London

What do you do?

I’m a writer and academic. I’ve just published an updated edition of my book Madonna: Like An Icon, an in-depth portrait of Madonna, including over 70 interviews with friends, musicians, dancers, film-directors, choreographers. I wanted to get to the heart of what motivates her as a woman and an artist – the private as well as public Madonna. She has just had her 60th birthday, and now is a great time to think about her cultural impact. She deals with ageing in her own inimitable, defiant way!

I also wrote She Bop, the Definitive History of Women in Popular Music (now in three editions), and biographies of Dusty Springfield and Annie Lennox. And I teach popular music studies at the University of West London. I have some lovely, very engaged BA and MA students.

Tell us what it’s like to be your age?

Brilliant. Absolutely brilliant. I’m not just saying that. I am happier now than I have ever been. For six years I was in a very stressful job, commuting three hours a day and waking up at 4am thinking about emails I hadn’t sent. Then a year ago I decided to leave, even though I didn’t have another job to go to. It felt like taking a skydive – really terrifying. I went back to full-time writing, I finished my PhD (I am now a Doctor!!!), and I updated my Madonna book.

Just when I started to feel the financial pressure as a freelancer, I started applying for teaching work. I was offered a full-time Course Leader job, but turned it down because the thought of it just made me feel stressed! Then part-time teaching came up at UWL. I love it there, and feel that finally, finally (after 30 years?) I have got that work/life balance.

What do you have now that you didn’t have at 25?

Peace of mind. Seriously. Peace of mind is not easy…I feel that I have worked for it. At 25 I was ambitious but troubled. There were so many things I wanted to achieve in life, and so many things I needed to work out. But now I have two beautiful, funny teenage children, my husband Malcolm who is also my best friend, and fulfilment as a writer. And passing my PhD viva on my birthday two weeks ago (great birthday present!) felt like the culmination of a long period of hard work and thought. 

And what about sex?

Sex gets better after menopause. I know people say that but it is absolutely true. I feel I understand what it means to be a woman. I didn’t really understand that until I was 50.

And relationships?

Relationships are more complicated and deeper, with friends and family. I have good friends that I have known for years. I’ve been married 20 years and enjoy sharing my life with Malcolm, and growing with him. In the last ten years though many friends and family members have died. A lot of friends my age, which is mad – shouldn’t we be the healthy generation? But the losses make you appreciate life SO MUCH. It’s a cliche, but life is really too short to waste time doing things that make you feel unhappy. My rule of thumb is, I will do the work I want, with people I like, as much as possible. And why not? After years of senseless government austerity I feel that too ENJOY LIFE is a political act!

How free do you feel?

Very free – because I’ve worked for it. I have spent a year meditating, thinking, writing, talking to people, going on courses, working out my finances and gradually, gradually getting to a point where I can truly be who I am. It’s about following your instinct. The American psychologist and writer Ralph Metzner calls it ‘alchemical divination’. Following your instinct at every point – even if it doesn’t make sense rationally or professionally – is the way to go.

What are you proud of?

My family – Malcom and my two kids. And my doctorate. Scholarly recognition was a huge thing for me.

What keeps you inspired?

Music, literature (I love reading memoirs), looking at the trees against the sky. My kids’ jokes. Watching them grow and get enthused and passionate about things.

When are you happiest?

Laughing with my kids. If everything is all right with them, then I’m happy. And doing my work – being caught up in writing, when the words and thoughts flow. That’s when I feel like I am truly me.

And where does your creativity go?

My creativity now goes into my writing and thinking. I appreciate that so much, because for ten years I was working mainly for money to pay the mortgage. I was working for The Man!! That kind of work is overrated. I was in management and slowly dying inside, bit by bit by bit. I knew I had to get out for my spirit (and body, frankly) to survive.

What’s your philosophy of living?

Trust, trust in yourself. And when you don’t know what you think or feel, or you’re not sure what you think or feel, don’t stress it. Don’t try too hard. Go to bed and ask for help. Just ask for help to them out there. Whoever they are. They might be God, or a guardian angel, or loved ones who have passed away, or a spiritual energy. Whoever it is, just ask. And as you fall asleep, listen. And as you wake up, listen. That’s my philosophy of living. 

And dying?

God, the big one. I don’t have a philosophy of dying, because I’m terrified of it. I have so much that I want to do and I can’t pack it all into this life! So I guess I’ll just have to do what I can, and love the people I’m with, and hope for the best.

Are you still dreaming?

Yes, all the time. I love dreaming. I love sitting and thinking and realising. No one tells you that as you get older you get amazing wisdom. Every day you understand something about the past, or a friend, or a conversation. Every day there are moments of, Oh God, yes, why didn’t I realise that before? And it keeps happening. It’s the trade-off for being less physically agile, I guess.

What was a recent outrageous action of yours?

Six months ago I went to see spoken word group The Last Poets at the British Library. They pretty much invented rap music – they have such presence and charisma. While I was standing there watching I had a vision in my head of me wearing a black Last Poets T-shirt, my hair short and blonde, talking to a crowd. At the time of the gig, my hair was in a long red bob. So I went to the merchandising stall and bought a T-shirt, and the following week I got my hair cut short and dyed bright blonde. I reminded me of my young punk self!

Then in July, I was presenting a paper in Porto University, Portugal for KISMIF, a big international music conference. On the day of my talk, I wasn’t sure what to wear. I remembered the vision, and put on my Last Poets T-shirt. I then went and addressed a theatre of over 200 people and killed it – talking about punk and DIY and feminism, and why these ideas still mattered. Afterwards, people kept coming up to me the whole day saying how inspired they were by my talk. That to me was my outrageous action because it made me feel so empowered.

  • Come and join me on October 15th for LIKE AN ICON, a night of conversation and music. I’ll be talking with writer Daryl Easlea and signing copies of my Madonna book.
  • Lo fi duo Radio Rubbish will be playing a live set ‘tackling the most ambitious Madonna pop epics with as few instruments as possible’!

7.30pm; Poetry Café, Betterton Street, London WC2H 9BX.

Tickets £6 advance from Eventbrite.co.uk (LIKE AN ICON) https://www.facebook.com/events/2252985441397250/

AofA People: Hilary Lewin – Arvigo Teacher & Therapist


2 Minute Read

What is your name?  

Hilary Lewin

Briefly sum up who you are and what motivates you. 

A big footed, down to earth beauty who is motivated by almost anything in the short term but my passion is my work in the long term.

If you have a job, what do you do for a living? 

An International Arvigo® Teacher and Therapist. A bodyworker with my main focus on the abdomen and all it contains emotionally and physically. Wombs are my world.

How long have you been doing this? 

Bodyworker 28 years, Arvigo® Therapist coming on 15.

What do you find most satisfying about your job?

Meeting amazing people and getting to travel as an older woman which I did not have time to do as a youngster.

Is your work primarily a means to an end ie money, or the motivating force of your life? 

Very much about making money to pay my bills, modest as my lifestyle is but it is also a massive motivating force which I am immensely proud of.

When you were 8, what did you want to be when you grew up? 

I have no idea…some kind of performer.

Did you get there – and if not, are you happy/sad that you didn’t? 

I think I am pretty content with the way things are working out. Can’t say I have ever been that good at looking ahead but there is very much a performance aspect to teaching.

What is your dream job? 

Very much the one I have.

If UK-based, are you glad, indifferent or disappointed that the official pension age is rising? 

As a woman with no pension, it makes no difference to me but I actually think men and women should share the same pensionable age if only they could share the same salaries for the same jobs. Seeing as that is still not the case then it’s yet another raw deal for women in the workforce.

Emma Freud: “I’m Not Interested in Spending My 50s Pretending I’m in My 40s” | InStyle


4 Minute Read

“I’m 55½, and I’m excited about the future.”

My amazing mum was 90 last month. She’s been an actress for 70 years—and on her big day she performed two theater shows before hosting dinner for 30 people. She swims every morning, goes tap dancing every week, and has nearly mastered the names, if not the sexes, of her 18 grandchildren.

Read the full article here: Emma Freud: “I’m Not Interested in Spending My 50s Pretending I’m in My 40s” | InStyle

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