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AofA People: Caroline Rosie Dent – End of Life Doula, Death Cafe Host, Jeweller


5 Minute Read

Caroline Rosie Dent, 59, was one of our guests at the Death Dinner (screened tonight for the first time at Barts Pathology Museum). She is an end of life Doula, a jeweller and a death cafe host. Be warned – if you’re courting Caroline, never bring her cheap chocolate!

WHAT IS YOUR NAME?
Caroline Rosie Dent

HOW OLD ARE YOU?
59

WHERE DO YOU LIVE?
London, UK

WHAT DO YOU DO?
I am an end of life Doula – I walk alongside and advocate for people at the end of life, so they feel more at ease and more empowered in their dying days. I also run a Death cafe and am active in the Positive Death movement. I have been working as a creative in Textiles and jewellery for most of my life and I still make Memorial Jewellery under the alter ego Rosie Weisencrantz

TELL US WHAT IT’S LIKE TO BE YOUR AGE?

I find that such a hard question to answer as I honestly feel ageless inside. I am all the ages I have ever been ….I still carry all those younger versions of myself inside me; they all pop out at different times. At the moment I feel about 26 because I am particularly happy right now

WHAT DO YOU HAVE NOW THAT YOU DIDN’T HAVE AT 25?
I have the security of owning a home which gives me choices. I see it as my passport to freedom and adventure in the future. I have a beautiful son, who teaches me constantly how to be a better person.

WHAT ABOUT SEX?
I see sex as part of a deeper intimacy. I have zero interest in casual sex, in the same way I have no interest in fast food. I dipped my toes in the tantric waters for a while, and I got a glimpse of what is possible. I’m an all or nothing kind of person. Never bring me cheap chocolate!

AND RELATIONSHIPS?
I was a serial monogamist for most of my life and have had some pretty disastrous relationships, and yet I regret none of them. They all contributed to my growth, no matter how difficult. However, now I would like something a bit more joyful, with a man who totally *gets* me and shares my irreverent spirit. I am not afraid to be alone, as that is infinitely preferable to being in a dysfunctional relationship. I quite like the idea of living separately within a relationship. I think this keeps a relationship healthy.
Relationships can be a breeding ground for resentment, and living apart can act as a deterrent to that, and help to engender greater respect for each other. As Gibran says *let there be space in your togetherness* I would like to meet a man to travel and explore the world with…that is very appealing…. someone who looks at me through loving and forgiving eyes, and a man who can allow himself to open and be loved fully in return. I would like to experience that once before I die.

HOW FREE DO YOU FEEL?
Freedom is a state of mind. Thoughts are our greatest jailers. Sometimes I feel free, other times I feel imprisoned by my fears. I feel most free when I am alone in nature, and the mental noise is switched off. Nature is my sanctuary.

WHAT ARE YOU PROUD OF?
My son is my greatest achievement. He is a beautiful being with a boundless heart, and he has taught me many things. I am proud of my creativity and my achievements as a designer. I won an international award at the peak of my career. I am also incredibly proud that I overcame my pathological fear of death phobia, that plagued me as a child and into adulthood, and now through my work with death and dying, am helping others to overcome theirs.

WHAT KEEPS YOU INSPIRED?
Questions and Ideas. My own creative process. I have loved playing with my imagination since I was tiny and have always got a kick out of my own thought processes. I see myself as a catalyst, energy-wise. I would have made a good inventor. I feel I could have done anything I put my mind to..because my creativity is limitless.

WHEN ARE YOU HAPPIEST?
I feel freest and happiest when I am cycling along the river, far away from people, listening to beautiful music on my iPod. I am also happy when I am having conversations about death and dying and see people opening up about their deepest fears for the first time. I am happy when I am in love.

AND WHERE DOES YOUR CREATIVITY GO?
It goes everywhere! Creativity is a state of mind. It’s an unstoppable force. Art writing talking feeling being. An open and curious mind is the foundation of all creativity.

WHAT’S YOUR PHILOSOPHY OF LIVING?
Be yourself, and don’t take yourself too seriously. Be able to laugh at yourself in all your glorious human imperfection. There is literally nobody who does you as well as you, so celebrate your uniqueness. We are all glorious paradoxes. Enjoy the play. It will be over soon enough. And dying? “Get curious about death before death gets curious about you” is my mantra. Don’t wait till your body and mind are failing to begin this most important work. Contemplation of Death teaches us how to live. As the Zen quote says *the cup is already broken* so live each moment fully and kiss the joy as it flies.

ARE YOU STILL DREAMING?
Always. To dream is to be alive. Never underestimate the power of your imagination. Enjoy this play.

WHAT WAS A RECENT OUTRAGEOUS ACTION OF YOURS?
No huge acts of outrageousness here…just being myself. That is my act of rebellion or outrageousness. To give an example; yesterday I lay on a bench with my head hanging upside down, and watched the passers by walking from *the ceiling of the earth* – from an upside down viewpoint walking looks like dancing. It amused me to notice that and I try not to bother myself with what others think of me. By being myself I hope I give others permission to be themselves also.

My Beloved River


10 Minute Read

I could feel my heart beginning to swell as I approached the brow of the hill, and I freewheeled down, until there she was before me – my beloved river: My place of sanctuary and delight. At that moment, my tears started falling.

I had discovered her by accident, one beautiful summer’s day, when friends invited me to a small music festival along her banks. Her dancing waters, wild hedgerows, swooping birds and bobbing barges all framed by an open sky, cast a spell over me. A hidden jewel in a grubby city. It was love at first sight. I walked along in wonder – my breath and then my feet gradually slowing down – as if merging into flow with her own gentle rhythm, and a feeling of coming home enveloped me.

Within days, I was back again, this time cycling for miles and miles along her towpath, until I had left the noise and chaos of London far behind me.

And so my love affair began. Each day, upon waking, my eyes would turn to examine the light peeping around my blackout blind, and if it was the right kind of brightness – I came to know the quality of light intimately – I would be straight out of bed, on my bike and wending my way towards my lovely Lea.

I would come to know every curve of her sinuous length, her unique sounds, her subtle and intoxicating scent, her changing beauty throughout the seasons.

In the beginning, I would occasionally invite another to join me, to delight in sharing this newly discovered beauty with them, but I soon realised that most people did not see what I saw. They tended to bring the city with them, so after a few failed attempts, I kept her to myself.

It became a reclusive period for me. I encountered few people on these journeys, for which I was grateful, as my tears could then surface unimpeded by self-consciousness. I must have been a strange sight in those days, this weeping woman of the waters.

I was in a period of intense overwhelm. The advent of menopause had brought with it a deluge of tears, which begged for release, and over time, these journeys morphed into grief rituals that felt both cleansing and healing as the river received my tears again and again.

I would cycle for hours on end, my feet barely touching the ground, often until darkness fell, when I would reluctantly go home in a state close to euphoria. A friend who was into martial arts told me the euphoria was due to all the chi I had taken in.

My acupuncturist told me that menopause is a time of too much fire energy (yang) and that I was naturally seeking out its opposite through the element of water (yin), which is receptive and balances the fire so it doesn’t consume us. This all made sense, but I chose not to think too much about the whys and wherefores then.

All I knew was I never wanted to return to my house at the end of the day. Being under a roof felt very oppressive at that point, like a heavy lid that could not contain the overwhelm inside me. I have always wanted to live in a place with a roof garden, and on the days I could not get to my beloved river, I would sit at my upstairs window for hours, watching the changing colour and light of the evening sky above the rooftops opposite, like a series of Rothko paintings, until the last band of light surrendered to night. I at least had this.

But the river was where it was at. Something deep within me craved to be in continual flow and the river echoed this back to me. My tears were part of this flow and so I wept as I cycled.

There was something about the rhythm of cycling, the continuous turning of the wheels, no beginning and no ending, that was very much in alignment with the flow of the river itself, and also in alignment with some deep need within myself, too. I often heard myself softly whispering: “Going… going … going.”

I was learning to open to the river within me, allowing my feelings to flow unhindered by thought. There was a sense of comfort in this inner place of aching sadness, this place of acknowledgement, this place of truth.

Emotional honesty was everything, and I made a conscious decision early on, to not question these tears, but to simply allow them to flow. Swedenborg says that rivers are the spiritual representation of Truth, and in Russian the word for water means ‘liberator’; both felt true for me. It was definitely a time of truth and letting go.

So I never asked myself why I was weeping. Thoughts were like red lights that would stop the natural and spontaneous flow of feeling so I learnt how to jump the lights. These journeys became meditations.

I have always had a huge propensity for tears. According to my mother, I cried non-stop as a baby and the few photographs of me from that period show a glum-looking child wearing a permanent frown. Like so many of the Dr. Spock generation, I never had a place where my tears were fully received, not as child, nor later as an adult.

My mother was unhappy, tired, depressed and angry for much of the time, when I was growing up, and there wasn’t space for extra tears in our house. The allocation had been used up and, as a child, I knew better than to trigger more in her.

You are a survivor,” my mother would say emphatically throughout my life. ‘I don’t worry about you.”

So I cried alone in a tiny closet in the bedroom I shared with my younger sister, and even now, I can recall the comforting embrace of its walls as I crouched in the dark and wept and raged.

The life partners I chose were all walking wounded themselves, revealing my tendency to seek out hearts that had been closed by pain and fear. I fell into the role of rescuer perfectly.

At the river, all the losses of a lifetime seemed to be presenting themselves for feeling and healing.

So I cycled, feeling deep into this well of sorrow, the most tender of spots. I was a human version of the weeping willow, finding sustenance at the water’s edge.

The river became a mirror for my soul, a loving embrace in times of emotional emergency, my place of sanctuary – asking no more from me than that I come unarmed and unquestioning, to seek solace in her watery gaze.

I came to feel that deep connection with nature that leads us to connection with our own nature. Mother Nature, my own nature, my relationship to my own mother, then a learning to be my own mother through this watery journey of aloneness and allowing my own tears to be felt and released.

I began to wonder whether the extreme fear of death that plagued me as a child, stemmed not simply from a fear of annihilation, but also from fear of aloneness, of abandonment, of being forgotten. Nature herself was helping me to make friends with this sense of aloneness

 All your feelings are welcome here,” she whispered gently to me. I was not alone after all.

I became increasingly aware of a universal sadness that permeates all of life, that is part and parcel of the human condition, and there was a growing awareness of the unexpressed tears of others – all those ‘others’ who, just like me, were also feeling overwhelmed, scared and vulnerable, and a sense of ‘we’re all in this together’ arose, which provided great solace. To be alone did not mean to be lonely.

Away from the river, I began volunteering in a sanctuary for suicidal people. The river had been teaching me how to be quiet and to really hear my own cry, and so I started to learn how to be with the river in others. The river was everywhere. In all of us.

During this time, I was listening to a lot of melancholy music and sacred chants on my little iPod shuffle which went everywhere with me, and sometimes I sang or chanted quietly as I cycled. Native American and devotional chants, mainly.

I began singing simple chants to the cows I passed in the fields, and when I discovered a dairy farm close to the river, I began singing to the newly-born calves which were separated into tiny pens. My heart hurt for these animals, these mothers and babies torn apart. I felt I was singing to their sadness, saying: “I understand and I am sorry”. They would gather in front of me and respond with their mournful eyes. We were in it together.

Later on, when I discovered stables along the route, I would stand with the horses and hum gently to them. In those moments, I was simply resting in the collective sadness of this broken world.

It probably sounds as if those times were just about tears of sadness, but many of my tears, especially later on, were tears of joy at all the beauty I discovered around me. So much beauty everywhere! Rivers full of blue sky one moment, turning into molten streams of golden green the next. Joy and sadness were becoming close friends.

I found a hill where I would often stop and sky-gaze. Nobody could see me there so I felt very free, and I would spend hours lying in the soft grass, watching the clouds drifting through the blue, listening to the sound of the bees being seduced by the blossoms in the hedgerow. Life in all its fullness. I felt such joy in those moments, and then I cried from the sheer beauty of it all, as I realised there is a bittersweet joy that can only be experienced through embracing impermanence, and I found it here, in this sublime display of transient beauty.

As I look back now, some eight years later, I see clearly that a transformation was taking place, almost a rebirth. A new path was forming. My old life as creator of beautiful ‘things’ no longer attracted me in the same way, and my creativity was taking on a more inner form. I was moving away from ‘things’, and towards ‘feelings’.

My lifelong enquiry around death and dying was growing. I began volunteering with the terminally ill and I discovered Death Cafes. When I first heard about the new role ‘death doula’ which involved accompanying the dying, I knew immediately that I wanted to be part of this new death movement. I am now a trained ‘end of life doula’ who hosts a Death Cafe. I have left my old life behind, like a worn out skin.

I can still be found at the river most weeks, but no longer every other day. Over these years, my glorious obsession has expanded to embrace lakes, and I now find myself being increasingly drawn to the wide open spaces of estuaries, places it is impossible to see where the land ends and the sea and sky begin. No beginning and no end. Everything connected in a shimmering mirage of oneness. Life merging back into itself, boundless and ever changing, reaching into this great mystery we call life.

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