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AofA People: Janet Kelly – Writer


7 Minute Read

Janet Kelly, 61, is a writer and started writing novels in her 50s. She has four published books as well as a number of scripts in development. She tells us how much she’s enjoying her life in her early sixties. And answers our Q&A in the way we love with long and meandering answers.

Where do you live?

Brighton

What do you do?

Writer

How do you feel about being this age?

I am thoroughly enjoying being this age, never having really thought I’d make it this far. I’m still in awe of the fact I am in my sixties and having a good time. It’s like joining a secret club where the admission fee is age and experience. There are the occasional lapses of memory and physical limitations – I have been aiming to run a half marathon but my knees gave up – but these are probably more down to an excessive lifestyle than my years on this planet.

What do you have now that you didn’t have at 25?

The confidence to be who I am and grow into myself without worrying what other people think. For example, I grew my hair out during lockdown and am now completely grey, and loving it – particularly after years of constant trips to the hairdressers to get the roots coloured. I’m embracing the opportunity to be as natural as possible.

I do have a constant nagging feeling that time is very short but I was born with a sense of urgency so I think older age has just enhanced my need to go and do things.

I do also feel a sense of wisdom about life and people. We’re all experiencing the world in different ways and tolerance is so important (not that I always have it!). My view isn’t anyone else’s view and so I think age has helped me try and understand we are all different and need to celebrate that fact – every single person has something to offer.

What about sex?

What about it?  Highly overrated in many ways and a mechanic of nature to get us to reproduce. Once the hormones are out of the way and we can see it as a pleasure to be taken as and when, rather than an overriding drive to find a mate, it can become a pleasure amongst many other pleasures rather than the bee all and end-all.  True intimacy can come from great friendship, hugs, empathy, and connection. It can include sex but doesn’t have to.

And relationships?

I treasure my good friends and look forward to living a long life with all of them so we can continue to look backwards as well as forwards. As I’ve got older, I recognise that no one person can fulfil any emotional need, this comes from personal growth and connection with a range of different types of people. Romantic relationships aren’t as important, probably for the same reasons already mentioned – once that need to reproduce is removed from the biological psyche the options for finding fulfilment expand exponentially.  Having said that I am far more tolerant in my relationship with my partner than I might have been 20 years ago and enjoy the small levels of companionship and partnership rather than the big gestures.

How free do you feel?

I am very lucky to feel free in most ways, partly because of the accident of birth and living in the UK with all it has to offer – not least its amazing language and diversity – but also because things that used to worry me no longer keep me awake. We’re here for a very short time and all of us, very likely, will be dead in 100 years. This is a sobering thought and makes me look at all those who are striving for great wealth and power with pity. The real secret to success is the ability to enjoy the life we have at whatever level we experience it.

What are you proud of?

Many things but mainly my children and particularly my grandson – it is a different relationship to being a parent. On a personal level, I am proud of overcoming adversity and difficulties and finding the ability to keep reinventing myself. I started writing novels in my 50s and have four published books – one for children – and a number of scripts that I have written since turning 60 that are in development. I am now following a career that I should have started in my 20s had I not been influenced by a need to chase the dollar.

What keeps you inspired?

As an eternal optimist, I think it is the fact that my next ‘big project’ is around the corner and that there are limitless opportunities to become involved with things I love.  I enjoy connecting with creative people who have energy and drive, and who make things happen. I am inspired to be part of that.

When are you happiest?

Walking my dogs on the seafront or meeting friends for coffee and talking about what we will be doing in our older age. I live near the sea and it always calms my mind and reminds me that we are all in this together. The sea has always been there and always will be – while people come and go.  I love doing new things – such as taking my husband for a spitfire flight experience, which was just awesome, all that history and incredible engineering.

I also love gardening and get very excited when new shoots arrive in the spring or I get to pick some homegrown vegetables. Seeing a new runner bean or courgette is like Christmas!  My chickens also make me happy as they are very much underestimated.

Where does your creativity go?

I have really started to enjoy my creativity in recent years, starting with my writing and then moving into art and music. I started up the Saltdean Jazz Band where I live which is aimed at amateur musicians who might not be able to play anywhere else as they are either rusty, don’t know enough about music or lack confidence. I play the saxophone and finally have a place to develop my musical creativity, getting more involved with solo improvisation which I find exceptionally hard but exhilarating. More recently I have been undertaking art classes and put myself forward to have my body painted by an artist as part of a campaign to get women to love the bits they hate.

Rather than hide my blobby tummy and cellulite I think it is time I celebrated the fact it is all a result of my life experiences and need to be recognised. Not only that, my body works – it does its jobs – and I’ve been very rude to it over the years. It’s time to apologise to it for being the workhorse it has been and say thank you. Without it, I’d be nothing.

What is your philosophy of living?

Do the best you can with the resources you have. You won’t always get it right but somewhere along the way there will be nuggets of gold that make the journey more than worthwhile. I get up every day looking forward to something – whether it is collecting eggs from the chickens or preparing for a walk, a holiday or a major work project. Time shouldn’t be wasted – and by that, I don’t mean we can’t sit and dream for hours on end because that is not a waste!

And dying?

It happens. For some, it happens far too early, particularly for those left behind. For some, it happens in horrendous circumstances and for others, it is just the last breath, the full stop.  I hope my end falls into the latter but I’m aware we have no idea of what might be meant for us. So don’t waste time worrying about the next stage. It will come when it’s ready.

Are you still dreaming?

Without my dreams, I’d have achieved nothing. I spend time before I go to sleep each night dreaming of what might be.  Some dreams are possible, others a little more unrealistic. Although I’m not one to ever say ‘never’.

What is a recent outrageous action of yours?

I got so drunk on my 61st birthday that I fell over, cut my head badly, and was taken to hospital in a pizza van. I still have the scar which I wear with a kind of pride that the consequences weren’t much worse. I was more upset that we lost my birthday cake. We think the seagulls ate it.

How I Became a Holy Woman in my own First Novel at 60


7 Minute Read

My father had just died of hospital-acquired Covid, my mother was in the depths of grief and clearly further developed in her dementia than I had realised. Towards the end of a working lifetime of being bullied and/or taken for granted, interspersed by failed attempts at self-employment, I felt I had run out of steam. I wondered if I could re-invent myself?

Losing my father and attempting to care for my mother had put me back in touch with childhood trauma in a most unwelcome way. I was 60, the age at which, when my career began, I could have expected to retire. The idea of working beyond 60 had never upset me.  Yet suddenly I felt utterly spent, although not ready to say, ‘I’m retired’ if anyone asked, ‘What do you do?’

I didn’t have to wait long for my answer to the re-invention question. Planning an outing with some ex-school friends, one of them suggested going to Boscobel House in Shropshire. All I knew about the place was that King Charles 2nd had hidden in an oak tree there after the Battle of Worcester in 1651, to save himself from execution by Cromwell’s Parliamentarian troops. ‘Oh well,’ I thought, ‘it will be a day out, and good to see my friends again’. Little did I know what was waiting for me.  Or, should I say, who?

As we entered the house, a guide was relating how Charles, aged 21, recognised by Royalists as Prince of Wales in England, Ireland and Wales, and King without power in Scotland, had arrived at Boscobel in the early hours of Saturday 6th September 1651. He was soaking wet, cold, hungry, exhausted and very footsore. ‘I expect Charles would have rather stayed by the fire all day instead of hiding in the oak tree,’ he said. Something inside me lit up. ‘What if I’d been here then? I could have taken care of him!’ I thought. That feeling grew stronger and stronger as we went around the house. At one point it was so powerful that I dissociated for a few minutes, swept up in my fantasy of looking after Charles.

For a fortnight afterwards, I barely slept. I read everything I could find about Charles’ rescue and eventual escape from England after six weeks as a fugitive. Source books fell off library shelves into my hands, and a friend to whom I mentioned my newfound passion gave me Georgette Heyer’s novel Royal Escape which he had just finished reading. Simultaneously, I started writing my creative narrative, blending historical events and characters with a fictional account by an imagined woman who cared for Charles.

The story poured out of me so naturally and so fast that it felt more like remembering than imagining. Sitting at my laptop one day, I saw the words ‘Healing is my sacred calling’ appear on the screen. ‘Who wrote that?’ I wondered, before quickly understanding that these words were the key to my story. Dame Sarah, my fictional alter-ego, was a herbalist. Charles needed medicinal interventions for his traumatised mind and body. This revelation also gave me a great plot twist. Sarah was adamant from the start that she was a holy woman.

The house to which Charles was first escorted from Worcester was a manor house called White Ladies, built among the ruins of a convent. After the Dissolution of the Monasteries monastic communities were suppressed, but some men and women still gave their lives to God. Sarah was one such, serving her community with her healing knowledge and practice. But herbalism also has roots in witchcraft, and during the Civil War, the ferment of Republicanism versus Royalism, and Puritanism versus Catholicism (Roman and Anglican) provided ideal conditions for anyone who practised healing to be suspected of witchcraft. Puritan rule had done away with bishops who had previously issued licenses to midwives and healers, so if the slightest thing went wrong these practitioners were prey to accusations of being witches. And women like Sarah, highly intelligent and of independent means, were threats to the patriarchy in such dangerous times.

What started as a private writing exercise soon burgeoned into a 15.000 word novelette, and it didn’t stop there! I wrote a preface setting the story in the social history of herbalism. Then friends began asking to read it. I’m normally extremely private about my writing, but I decided to share it. Six trusted friends who are writers and/or academics read it, and all said, ‘This needs to be published!’ My republican friends – whom I had expected to say it was a pity the monarchy was ever restored – told me instead that they had lived every moment of the story and they also picked up intuitively on the subliminal message I’d woven in about the relevance of Charles’ rescue to today’s emergencies of wars, inequities and the cost-of-living crisis forcing so many people onto the kindness of strangers.

So, one damp January afternoon I began an internet search for a publisher. As a first-time novelist, I knew there was no chance of being accepted by a traditional publishing house, so self-publishing was the only way forward. Nevertheless, I was astonished and elated when the first company I approached was very keen to take on my book and had a lead editor whose favourite genre is historical fiction. And, just in time for Oak Apple Day on 29th May, the anniversary of Charles’ birthday and coronation, my book is published and selling!

That visit to Boscobel House was a truly life changing experience. Not only did it give me a fabulous structure on which to write my first book of fiction; it taught me to really open up to a hugely powerful benevolent force. Many people might call it The Universe. I am an Anglo-Catholic Christian. I had an overwhelming sense of vocation to help and to care when I was a child, but have struggled with belief in adulthood. This recent experience has felt like a massive blessing and has rekindled my faith.

It has put me back in touch with happy times in my childhood when I felt spiritually at one with Nature. My love of gardening has a new focus in planting an apothecary garden. I’m applying to study a foundation course in Medicinal Herbalism, and guess what: the only college in the country which offers this course is just 16 miles from my home. Dame Sarah is a thinly veiled version of the person I would most like to be, and now I feel her guiding and shaping me to become more like her.

I even have a plan after studying to offer Living History events at which Dame Sarah teaches herbal identification and demonstrates medicinal plant remedies. But perhaps most of all, I have been taught to open myself to signs and wonders all around us which strengthen, support and sustain us if we observe and listen carefully. Emmylou Harris says that women can be just as reproductive, if not more so, after the menopause than before it, if we’re paying attention; and the Dalai Lama has said that spiritually empowered women will change the world for better. I have always believed in those ideas and am more ready than ever to embrace what is called sweet power and be part of a beneficial life force thrumming with nurture, love and compassion for the whole world.

Hilary Wellington (on social media as Ginny Rawson)

Nottinghamshire, May 2022

My book A King’s Sanctuary can be bought at

https://www.amazon.co.uk/Kings-Sanctuary-Hilary-Wellington/dp/1915338212/ref=sr_1_1?crid=3GTFL2XLL3S3N&keywords=a+kings+sanctuary&qid=1653169752&sprefix=A+King%27s+%2Caps%2C81&sr=8-1

or contact me at hjwellington@icloud.com for direct sales

How I Found my House in the Magical Spanish Mountains


1 Minute Read

I started my Spanish adventure in 1997, just as Tony Blair ended 18 years of Conservative rule with the slogan ‘Things Can Only Get Better’. I was one of a number of young BBC journalists helping with the count on Election Night, but soon after fled the BBC on a trip to Mojácar in Spain, on the pretext of finding a cheap house to buy. I didn’t seriously think I would get one.

Accompanying me was my old friend Mark P, who had ridden to Mojácar on his motorbike a decade before. My friend Lucy’s house was empty, so we stayed there. We had instructions to call Jacqueline, the French postwoman for the mountain villages, who put the word out for villagers with houses to sell.

It was a beautiful early-summer day and the road to the mountains twisted and turned up through arid countryside, almond trees and old ruins until arriving in the pretty whitewashed village of Bédar, with a long view back down to the sea.

Jacqueline was waiting in one of a pair of bars facing each other on the road in. Tall and thin with a mahogany tan, long black hair framing strong, handsome features, and wearing lots of silver jewellery – she was unmissable.

Jacqueline drove us down a narrow unpaved road running under the looming peaks. We undulated through tiny settlements and over a rambla [dry riverbed] before accelerating up a perilously steep bank on the other side, to end up at a collection of three or four houses strung out along the top. We bumped down a track to one, a wide, two-story house set in an overgrown garden with several olive trees.

I don’t remember much about the house, apart from that the kitchen was outside, and the water supply was rationed from the nearby balsa [water store] where you took your turn on a rota with the neighbours. There was a ramshackle outhouse, and I remember standing near it while Jacqueline and a neighbour discussed which of the stones on the ground marked the house’s boundary. The discussion went round and round, much like the roads that had brought us there. Then, none the wiser, we all piled back into the car for the drive back to Bédar where Jacqueline dropped us at the bar and drove off.

I remember feeling out of my depth, and telling Mark that what I’d really like would be something less remote, perhaps a little house on the edge of a village. We decided to have a quick drink before driving back – and then I realised that the key to our hire car was no longer in my possession. I tried to call Jacqueline but got no reply. There were no buses. We were stranded.

What happened next was, as they say, fate.

A young blonde dressed in black leather came through the door and strode up to the bar. After exchanging a few words with the bartender, she came over and asked where we needed to go. When we said ‘Mojácar’, she offered to drive us. As we weren’t in a position to refuse, we accepted.

Nadja was Swiss, and although quite fluent in English, all her sentences came out back to front. When I told her that we’d been looking at houses, she said that she had one to sell, “with mains water, electricity, a telephone socket and seven terraces.” It sounded very grand so, to rule it out more than anything, I asked how much. “Four million pesetas,” she replied (approx. £16,000). It was the same price as the house we’d just looked at.

What’s more, Nadja’s house was on the edge of a small village – just as I’d wished for.

When we reached the main road, our saviour pulled into a garage and bought three cans of lager from a vending machine in the forecourt. We drove the rest of the way to Mojácar swigging beer and listening to her peculiar jumbled steam-of-consciousness conversation. I concluded she was very sweet but most likely mad.

I didn’t think I’d call about the house, but a few days later curiosity got the better of me and we made a date to visit.

To get to Lubrín we had to return to Bédar and carry straight on, up a narrow white asphalt road that twisted its way through a magical landscape of hills studded with olive trees, yellow broom and thyme. At the top we passed the village of El Campico before descending to El Marchal where the road broadened out and continued another 5km to Lubrín.

The strange thing was how at home I felt. While the views were far-reaching and magnificent the road itself felt cocooned and cosy. We didn’t meet another vehicle that day and in the years to come, I rarely did. If it did happen, I often knew the driver, and we’d stop to chat.

Nadja and her English boyfriend Steve were expecting us. Margaritas tumbled over their garden wall, and on the left of the house were the seven terraces Nadja had referred to, planted with almond trees and flowers.

By the end of the week, we’d agreed on a price and employed a gestor to manage the sale. We sealed the deal over a breakfast of beer and tapas in Mojácar.

Back then, Lubrín was my freedom. The village seemed not to have changed since the Fifties. Set in a valley, whitewashed houses were built up the side of a hill, around an enormous red brick church in the middle.

My house, later christened Casa Becca by a guest, was set off to the right, built into the side of  ‘El Castillo’. Many Spanish towns have a ‘castillo’ hill, on top of which the original Moorish watchtower would have stood.

All the roof beams were tree trunks, gnarled and twisted, interspersed with traditional caña – cane. Stone stairs led up to a low-ceilinged dining room leading to a big kitchen with an enormous fireplace at the end. There was a windowless ‘cave room’ with a huge rock from the mountainside protruding within. More rooms led around to a third bedroom opening onto the front of the house at the other end. The bathroom, down by the main front door, was a very basic affair with an old toilet and a plastic shower over a dug-out portion of the stone floor. In its 200 years, the house had barely changed.

Although there was a phone socket, there was no phone line and, back in 1997, no Internet. Apart from the 6am bus to Almeria City, there was no public transport, either. Compounded by the feeling that I’d stepped back in time, Lubrín felt properly remote. Nobody would ever find me. I’d been unhappy at the BBC so it was a huge relief to find myself there, completely cut off from social pressures.

I turned into another person when I was in Lubrín. Scruffy, dusty, carefree. I wore flowery shift dresses and tatty shorts. The only other foreigner in the town was a Dutch guy who I never met. My friends were old men who regaled me with tales about the village and my house’s past. I found out that Casa B had been the home of the village transportista who took goods and passengers to the coast in his donkey and cart, and that a man had been shot outside during the Civil War.

My main friend was Paco, a portly fellow of about 60. He had small, dainty feet and spoke in a soft, high voice, often reciting poetry or playing with words. Like many men from the village, he’d emigrated during Franco’s rule. He’d worked in Switzerland as a carpenter – he said he’d made furniture for David Bowie.

Another frequent visitor was Christobal, a wizened, Steptoe-like man who would exhort, ‘Mujer, mujer!’ [Woman, woman] in the style of a whiny flamenco singer at the start of every sentence, while encouraging me to buy his house or be his wife.

Paco and I became good friends. Even though he didn’t speak any English and I not much Spanish, he was an excellent communicator and we understood each other surprisingly well.

Soon after I bought my house, Paco took me to his land in La Alcarria, a beautiful valley on the other side of the main road. On the land was an old trunk which he ceremoniously opened to take out two fold-up chairs – one for me, one for my friend. He set them out and we sat down – looking north over an infinity of hazy mountain ranges – the ones in the foreground like rows of reclining elephant backs. Paco loved his land and was planning to build a house on it.

When I think of the early days I remember warm friendships and laughter. Paco would accompany my friends and I on excursions in the car, or come round for raucous suppers on the patio, or we’d have mad nights out in what I christened the ‘Young Mans’ Bar’ next to the post office, where the clientele would chorus ‘Paco Toro!’ when he arrived with two young women on his arm. When I was the only foreigner in town it really was fun.

Slowly but surely, Lubrín caught up with the rest of the world.

A few settlers from England arrived every year. There was Ponytail John, who built his own house out in the campo, and Dave Beach, a lugubrious hippie with great taste in music. There was Sally and Ann, possibly the village’s first ‘out’ lesbian couple, and their neighbour Bill, a gay accountant. There was Mandolin John, always with a beautiful girlfriend. Tourists rarely found their way to the village, but when they did it felt bizarre. To me, they looked big and out of place. Sitting outside the Plaza Bar, they were like giants on a small stage.

Around 2003 the dear little road from Bédar to El Marchal was widened and tarmacked, and with that more and more foreign settlers came. The tipping point for me was when a young suburban couple arrived. Until then, the foreign residents had had something alternative about them, a touch of the pioneer. But these people had none of that. And with that, it was as if my secret hideaway had been busted and my freedom was gone.

Solo Visits

I started coming to Lubrín on my own around 2002. At first, I was nervous. I’d fly in from Gatwick, drive back in my hire car, make the bed and smoke the emergency cigarette I left on the dining room desk. Then I’d go out for provisions from Antonio and Fina’s late-night shop – and see who was around. One time I didn’t get home till midnight after being waylaid by Mandolin John and a friend of his. Another time, I woke up at 4 am in a panic. It was pitch dark and I had the sensation I was entombed within an endless Spanish mountain range – there were no buildings after mine. In my 40s I would often wake up in the night. For a while, an insomniac bird nesting in the roof would be up around the same time, moving about. I found it comforting.

Paco and I grew apart. Lubrín had won the massive El Niño lottery in January 1998 with a prize of 1400m pesetas (about 8.5m euros). Paco was one of the winners. He didn’t spend the money at first, but a few years later he bought a radio-controlled airplane and a souped-up black sports car with red flames blazing on the sides. Where once he had been patient and good-humoured, he became impatient and his gentle high-pitched voice became gruff. He’d tear off to holiday towns like Aguadulce in the sports car and return with torrid tales of his exploits.

They wouldn’t let him build a house in La Alcarria (the plot was just 1m too narrow). Bitter, and obstinate to the last, he built a swimming pool instead and put a squalid kitchen and bathroom underneath. He surrounded the pool with weird totems like plastic fans and dolls’ heads on sticks.

There was a succession of dogs he didn’t know how to look after and on occasion he’d chase English settlers in his car. The gentle, communicative Paco I knew and loved had vanished, and when I asked people how he was, they just shook their heads and said, ‘perdido’ – lost. He died in 2010.

Middle Years

So far, I’d only visited Lubrín for short holiday breaks but when I started my Spanish rug and tile business it became the base for buying and sourcing expeditions. From 2006 onwards, I’d embark on huge solo road trips around Andalusia several times a year. I visited Valencia, too, to go to the Cevisama tile fair, once driving 400km cross-country from there to Cordoba to visit our main supplier. I visited Granada and embarked on crazy missions to find new suppliers in a series of remote locations. I particularly loved going to Priego de Cordoba, a baroque gem perched atop a cliff in the Sierra Subbetica Natural Park. I’d stay at Hostal Rafi where the bar was like a Spanish version of the US series Cheers. Rafi was even playing Bruce Springstein the first time I went. My second visit coincided with a noisy religious procession, the virgin being borne through the streets, children dressed up for their communion and a major football match blaring out from TVs. Hostal Rafi was in the middle of it all – the centre of the world!

Priego was four hours from Lubrín. Driving there in the autumn you’d see bonfires blazing high on the horizon. There were deserted mountain passes where you could go for hours without meeting a soul. At these times, I’d marvel at how, sometimes just the day before, I’d been caged like a bird in my London shop watching traffic thunder by, and now was soaring free in the mountain air, maybe 100 miles away from anyone else.

Occasionally I ended up in dangerous situations like the time I took the wrong route to the pretty village of Castril, 890m above sea level on the edge of the Cazorla National Park. As the track got narrower and narrower, I found myself with no choice but to accelerate up the precipitous bends with an overweight load of wholesale ceramics in the back. Dusk was falling and I remember thinking, ‘no-one knows where I am and I might die,’ followed by a half-crazed relief when I reached the top to witness a herd of goats galloping home in a cloud of dust. It was a quintessential Spanish moment.

Now…

In 2016, Lubrín became my freedom for the third time. Disgusted by the Brexit vote in March 2016, my first thought was to leave the UK. On the basis of having a Spanish house, I applied for Spanish residency. To my surprise, the application was successful and I moved out here in 2018.

Today, Lubrín is firmly rooted in the 21st Century. There are street lamps along the road in, and a small industrial estate just north of my house. There’s a world-class olive oil press, a honey factory and modern milking sheds for the goats. The once-silent hills are full of light and noise. There’s a small housing estate opposite me, too, mainly occupied by British families who now make up a sizeable proportion of the population.

Stubbornly ‘unreformed’ for years, Casa B has been updated to make her long-term habitable. The tree trunk roof beams have gone, as has the insomniac bird. The cave room has a window. The dining room and kitchen have been knocked together and the ceilings raised. A proper bathroom has been added.

I study Spanish, teach English and Creative Writing, blog, write and walk the hills. Everyday life is time-consuming – I collect my water from the mountain spring at El Campico and drag it up to my house in a trolley. In the winter I must bring in wood, make fires and clean the stoves. More satisfying, this year I picked my olives for the first time and took them to the press in exchange for some superb Lubrín olive oil.

It’s been a little tough, establishing a life here on my own. It can be awkward negotiating social groups as an older single woman. It’s taken time to find work, or friends on my wavelength, but I keep on. Perhaps the fourth freedom will come when I really don’t care what other people think.

In the absence of family, Casa B has been my continuity. Last March, returning from winter respite on the coast, it was surprisingly nice to be back. Even though I had to hoover the flaky paint off the walls and clean surfaces thick with muddy dust, it was just lovely to hear the birds again, and the goat bells, and the church ringing every quarter-hour. Enduring country sounds. The sounds of home.

Postscript

In June 2021, I went to a dance performance at Kensal Green Cemetery in West London. ‘Dance Me To Death’ was a project started by AofA’s Rose Rouse, with all the dancers in their 60s or older. At the after-party, I was on a table with a couple from Clapham. When I asked if they knew the province of Almeria, the woman gave a little start. She said that she’d visited a place called Bédar one Christmas in the Seventies. Back then, black-clad village ladies washed their clothes at the communal fountain and collected water in huge water jugs on their heads. Donkeys were the main means of transport, roads were few, and Fi and her boyfriend had walked four miles up to the village from the bus stop. On Christmas Eve, the village ladies taught her to dance Flamenco – she pulled her body up straight to demonstrate. She looked happy as the memories resurfaced, and I thought how great it was that we should meet by chance almost 50 years later, two strangers transcending time and space to share our experiences of a tiny, faraway place that has meant so much to us both.

Perhaps the magic lives on, after all.

Becca is running a trio of online Creative Writing courses. Each runs for six weeks and a number of themes are covered, including Fantasy & Transformation, Imagery, Characterisation, Dialogue, ‘Fragmented Writing’, Theme, Plotting and more.

Classes contain excerpts from a range of relevant authors and a 25-minute writing exercise based on the theme of the week. There’s time for students to read their work and discuss, and homework is given.

Featured authors include Kei Miller, Tim Winton, Margaret Atwood, Rose Tremain, Carys Davis, Jo Shapcott, Joyce Carol Oates, Tim O’Brien, Andrea Levy, Helen MacDonald, Jeanette Winterson, Tricky, Tracey Emin and Melissa Harrison. 

The Creative Writing courses will run from mid-September, along with the journalistic ‘Write an Article in a Week’, which runs over two weekends. The price for each course is £125, with a 10% reduction if you book up for two or more. Becca is currently developing a new course on Memoir Writing.

For more info please visit https://beccaleathlean.wordpress.com or email lubrinbecca@gmail.com

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