Michele Kirsch, writer, wit, asthmatic isolator, mother of two, furloughed chef wrote about Lockdown 2 for AofA and it was brilliantly funny. Here it is. Now she’s onto the next one, and a new enterprise has arisen.
Of course, by the second lockdown, after the confusing tiers for fears, the novelty had worn off. I was well over the glorious government approved and subsidized slacking of getting paid to NOT go to work. At first, my furlough payments were looking kinda handsome as my employers had forgotten to take off tax and National Insurance, but suddenly remembered, and took the lot off as soon as I returned to work. This was after two months of going for long bike rides in desolate London, trying to remind myself that that ghosts of the civil dead might not actually all be dead, but watching telly, in their flats, on furlough, swearing at Joe Wicks and waiting for the ice cream van, just like me. The vast emptiness of London I initially adored, now just felt abandoned and, like me, waiting for something to happen.
[media-credit name=”At home with the cat” align=”alignleft” width=”169″][/media-credit]
It was so stinking hot; I could barely breathe. I’d get home from work, run a cold bath and lie in it with bra undies on. Then, chilled to the bone for about five minutes, I would lay on the bed, briefly blue with cold and looking halfway dead. In no time I would be unbearably hot again, and swearing at England, which was clearly breaking the summer rules, of being chilly, by New York standards. I had done many New York summers, and they all felt like this: unbreathable, unbearable, and slow-mo. Nothing was going up except the temperature, and the death count. The manic gaiety I felt – the joy of small things, was fading fast.
[media-credit name=”Michele in the bath” align=”alignright” width=”300″][/media-credit]
Work as a chef had changed, in the lockdown. They were more performance-orientated, all speed and efficiency. Right about the same time, I was LESS all of these things, and older. Very suddenly. When a rating system came up i.e. the better you performed, the more hours you got, I came second to last. It was A SIGN. I had spoken to my ex vicar (I have at least as many ex vicars as ex-husbands, but I am very fond of this one) who told me something would happen but not in the way I expected. So I gave notice on my job, thinking Rev Marj, with her Bat phone to God, would make sure nothing very bad happens to me, even though I was doing this insane and catastrophic thing – quitting a job I did not deplore, but certainly no longer loved.
I kept thinking of a line from a Lake Woebegone story, where the mother of the protagonist, a waitress, keeps saying to her, ‘Oh honey, you coulda done something with your life.’
Well, I HAD done something with my life. I had just temporarily forgotten. In July I won a prize for my book, CLEAN, which gave me some money, and a holiday in a mansion in Sligo, which my daughter said I must take because that’s where Normal People happened, and Normal People was all anybody was talking about the last lockdown. But if I were to take the holiday, I would be locked in the mansion for 14 days for quarantine. Yes, it’s not exactly like being locked in Holloway Prison for a similar stretch, but still, I would want to walk through the bottomlands and pick wildflowers and hang out with young groovy and beautiful intellectuals like the ones in Normal People. The photogenic shaggers, him with his medallion swinging all over the shop. Her with the cheekbones. Not on my lonesome, trying to work out the plot of a novel, and figuring out where the microwave bit of an Aga was located. All that had to be put on hold.
[media-credit name=”Michele in her mask” align=”alignleft” width=”169″][/media-credit]
Then on Jobseekers allowance, I did every free course available to those on JSA. I was going to re-train to be something useful, not just some withered, wasted form of post-pandemic protoplasmic life. I studied, did modules for coursework and had two job advisors. That bit was a fluke that would never happen in real Jobcentre life, my past experience of that Inferno being dead-eyed, stressed out, shouted at civil servants in Matalan suits, shouting at me, shouting at them, in my Matalan suit. These work-from-home Jobcentre people were nice people, and they seemed to genuinely keen to get me back into work. I’d hear a dog barking in the background. The Jobcentre never had a dog.
I also signed up for Advantages of Age’s own Suzanne Noble’s course, Start Up School for Seniors. Not that I actually had an idea for a start-up, but there was a potential opportunity for something local, that had been started up, dropped as per safety measures during the pandemic, but on the verge of starting up again. It was something shapeless, brewing in my head, but there. It was at a recording studio that I passed most days, as it is about 200 yards from where I live. I was drawn to the place, for reasons not yet clear to me.
While I didn’t attend every session of the Start Up School for Seniors course, I just got into the idea that starting conversations about the thing you wanted to do, was a good thing. It helped me work out what I wanted to do. I already knew WHERE I wanted to do it: at the recording studio. Everybody who walked in or out of there, or who hung out the front, vaping or smoking, seemed in an impossibly good mood. It had a VIBE. I told Suzanne I wanted to be part of it but wasn’t sure what USP I had to offer.
Now the idea of working in a recording studio appealed to me, because I was in the music biz many years ago, as a journalist, press officer and briefly and traumatically, as a tour manager. I understand people in the biz, how they roll, how pretty much all you have to do, to get ahead behind the scenes, is not be an arsehole. To be useful, to be nice, and to be efficient at modern life. This last bit might take some work, but I was two-thirds of the way there. Oh sure, the business has changed beyond recognition from the days when I was young and green and down the front at some indie gig at ULU, going home drenched in sweat that did not come from my body. This was still in the biz, but more grown-up and desk-based.
Plus, I had been in recording studios, well – twice. The first time was with Killing Joke, and that was the most noise-related fun a gal could have at maximum volume if you discount the two weeks of tinnitus that followed. The second time was many years later, watching The Neville Brothers record some tracks, and that was heavenly, in swampy New Orleans, in an air-conditioned room. Could I put that on a CV? More to the point, could I get a job, the way I did in the olden days, without a CV, just by, er, not being stupid, or a shit? I just wanted to be IN there, doing something. I did this about a billion years ago at my first newspaper job in NYC. I wanted to be IN, so I just walked in and then it kind of happened-the newspaper job. Right place, right time, and willingness. My life coach friends would call it the Universe being ready. I call it being willing to be ready for the next thing, without quite knowing what that next thing would be.
Then, a couple of things happened which made me think Rev Marj had been on the Bat phone to God. First of all, I met the owner of the studio in a book group I had just joined. We got on very well You know those rapid-fire conversations where you just kind of nod furiously in agreement about pretty much everything? It was like that. Then, weirdly, the novel I had started to write was set not quite in a recording studio but around some rehearsal rooms off the back of Carnegie Hall and centred on a music teacher who came from nowhere, to teach piano and singing and meet Stephen Sondheim. Could life imitate this formative art, maybe swapping Carnegie Hall for Hackney Road?
The owner and I got to chatting, mainly on email, and he told me that his second in command had sadly passed away from the vile virus. Not that I thought for a minute, that I could replace her, but I could do some of the jobs that she did, again, using the ubiquitous skills of giving good phone and email, and not being difficult. He mentioned that one of the things that got dropped during the Plague was the educational side of the studios, delivering masterclasses and intensive courses in piano, vocal techniques and songwriting. Was that something I thought I could pick up, help organise, administrate, deliver, publicise? Revive? Dare I even apply for a job that I thought might be fun? Well, yeah!
After a few more emails and some socially distanced walks, I was offered a part-time job, and there was really nothing to not love about it, except an uncertain terror that I might be crap at it. A terror, like most of my terrors, founded on zero evidence.
Now I spend three half days a week surrounded by music, fun people, and a feeling of proper hope, that people will never stop making music and never stop wanting to learn how to make music or be better at the music they make. It’s solar-powered, the people are super friendly, and there is an office cat. The potential bonus is that if something weird or plot twisty happens during my time there, I can whack it into the book.
I thought leaving my job during a time of mass unemployment was probably not smart, at first. But the confluence of the prize money, the book club, setting my novel in a place where people did music lessons, and then getting a job where I would be setting up, initially, music lessons, felt really smart. The longer-term goal is to set up a songwriting academy, get some kind of Brill Building mojo going right in the heart of Hackney. I think it’s possible. I think lockdown 2 consolidated my job goals, and everything else was just kind of intention and good fortune. That stuff counts more than you think.